Jason Lenox

Page 16 leads us to the third and final act of “The Painted Ladies of San Quentin”.  An explosive re-introduction to the Sheriff and Jessica Belmont who we last saw in flashback form on page 5.  Now this page establishes how violent they are, last time their “evil acts” were shown as an aftermath- three women burning- discussion of them burning the whore house- now I wanted to show them literally cutting a hole through El Alacran by shooting him in the back, and we see it as a POV shot.  As my good friend Brian Berg said about this project this week….

“Quentin Tarantino will be envious of the bloodshed”

… Indeed, we can only hope so!

And on the artistic notes from the pencilled page to the inked page- not much changed on page 16.  Of note is the highly stylized old time look of the gore, I’ve found with this particular inking style my inks make blood and guys look like an old medical drawing– which is a fun way to make a hold in a man’s gut look- so enjoy this piece as we race towards our bloody showdown and conclusion over the next 6 pages!

Page 15 could be described as … “LET THE BODIES HIT THE FLOOR” from Drowning Pool!  Four Dead Bandits laid out for you to see the bodies, and Chinaman finally gets the big send off with a shot in the back from “El Alacran”, showing his true villain’s nature.  The story is moving towards the third act and finale as the second act comes to a close.

Technique wise- I loved the geography of the bodies and characters in the long panning shot in panel #1 and it was fun to do the detail on the dead bodies panning back towards the horizon line, and of note is the small blades of grass I added to the ground elements- arms, dropped gun, shoes etc.

Correction-wise, Elijah’s hat got lowered which corrected an error and made him seem more “angry” so that was a big improvement, and I tweaked El Alacran in panels 2 & 3 from the pencils a tad.

Confession- I was happy to kill off Chinaman, I was SO TIRED of drawing that damn outfit I designed last summer- R.I.P Xi Chou Long, it’s been a great 9 months together!

The second half of my madcap 2 page full out action gun sword fight ends with two more fatalities, and some really fun camera angles and crazy inking.

The major changes from start to finish are Chinaman’s hand holding his sword- it ended up from the side to straight on (anatomy!) and the foot placement of rifle killer guy in the bottom right panel- the twisted up feet got changed in favor of a straight right leg and more of a falling with energy motion pose as opposed to the stutter step that I had initially tried to get.

The inking on the long hair on the top panel and blood/gunshot in the last panel are my inking highlights for me as a reader- I was really pleased how they turned out.

Page #14 is dedicated to Russ Nicholson, a childhood favorite artist of mine that I just discovered is alive and well on facebook- and he even “liked” my art page!  This guy is a pen and ink god, and I think he has influenced me more than I realized now that I’ve been going back and looking at his work from the FIGHTING FANTASY GAMEBOOK series I first picked up when I was about 6 years old!  Thanks Russ, you still rock man, this page wouldnt be what it is without your inspiration to me as a young lad!

Page 13- Action, Style, Motion, Camera Angles and Fluid Motion.

This page is something I am really proud of in the original execution, and I am really happy with the inks which took the pencils to a new level.  In particular the head shot panel – keeping track of a shattered skull is not easy!  The final panel with the blood arc from the face is also a highlight for me in finding motion in still life. 

I also really kept the camera moving from an odd yet complicated overhead establishing shot- to the smoking bandit’s “chest up shot” to Elijah’s dive under a hail of bullets- to the Chinaman really getting his run on in the top center panel.

Story wise-‘ this page is maybe 5 seconds of action, but it’s a great quick run to page 14…..

Page 12- Changes Changes Changes– from the Chinaman in panel #2 being almost totally changed to Elijan next to him being signifigantly altered…  At least the decapitated Injun is still in the front row!  This page was a tough one- part of using odd angles (like panel two- ugh!) to have unique visuals makes getting it all right that much tougher, but this page turned out well all the same when the inks dried! And I used a large black area in panel two on the bottom of El Alacran’s sombrero- which for me is uncharacteristic on a character, but this worked for some unknown reason. I just love the showdown in panel 3 being foreshadowed- now this was also a nod to page #2, panel 1 (see single panel below final inked page)- where Chinaman’s shadow is alone 10 pages earlier, now he is teamed up with his former enemy, Elijah Holman- thus two shadows, and a different (armed!) hand in the top foreground of Elijah shows that the new unlikely partners are ready for some deadly action with El Alacran’s band of killers!

Page 11- 50% of Painted Ladies of San Quentin- in the bag… The page has three action packed panels- the biggest challenge- getting INJUN done just right- I changed his body, I changed his face, and I changed his head- and it all worked.  Dude looks intense, just like the hand to hand killer I wanted him to be, and Chinaman, dude is a stone cold killer with a sword- I love how we just see him motionless after the quick decapitation in panel two.  For me this page just worked- and the tweaks on the face in panel one with the change in torso layout and waist height made it work, and panel two had a few tweaks to get that scream being “cut off” just right -no pun intended!  The final panel’s silent recognition of the two former enemies while INJUN just takes that kinetic energy falling off the page sets the stage for the next act with El Alacran’s Men….   

Pencils, progress inks, corrections on inks and final inks included below.

This page had several challenges to bring it to inked completion.

#1- getting the space right- where is INJUN in realtionship to El Alacran, to Elijah to the Chinaman- the top panel lays that out well and then shows us El Alacran coming into the scene.

#2- Getting the El Alacran Gang done right- there are a slew of small changes from pencils to final inks, but it looks solid and kep tthe character designs and overall menacing look good witht he larger pinup panel at bottom.

#3- Inks- Lots of overlaying textures and shapes in the bottom panel- it was a tough row to hoe, but the overlapping elements work to build a 3-D space while not having any visual issues- primarily eliminating tangents- what is a tangent- well Ryan Pancoast gives a great explanation here. 

Overall-  I felt the inks worked with the pencils to keep the style theme and mood together, and the page also kept the story moving ahead-