Painted Ladies of San Quentin; Page 5- Final Inks – with Changes on Panels 1 & 2

 Page 5 is now 100% inked- with changes on 2 of 4 of the panels.  Panels 1 & 2 were originally to close out the flashback by showing Elijah looking at Jessica while passing out- this received some fairly constant criticism as a storytelling device that didnt work.  Local author Abby Assetto pointed out that in the later parts of the story- we see an emotional response from Jessica about the Sheriff getting hurt/killed and that we never established a romantic emotional relationship with them, so I killed two birds with one stone- eliminating the two “eye closing” panels and adding two new ones to show a sexual relationship with Sheriff and Jessica, and also the type of relationship- combined with the hit to the head, and Elijah thinking Sheriff would help at the burning building he now sees that the power behind the Sheriff pulling his strings is Jessica… this is a mini-reveal, Elijah thought he was good- and symbolically, the hands are digging into him like a spider…. while also giving evidence of a physical intimate relationship.  It just worked- thanks Abby.  The last two panels had that great old time engraving look are a great segueway into page 6- the shooting pinup!

Below is the final page- the non shaded inks, the corrected pencilled panels and original pencils.

 

 

 

 

 


Painted Ladies of San Quentin; Page 4- Final Inks – with Repairs on Panel 3

Page 4 of 22 is now 100% inked- this page had some great texturing, with an experimental textured technique that pays homage to the incredible pen and ink techniques of Edward Gorey  since I am a big fan of his parallel line style, I wanted to put my spin on his style of penwork, I think it succeeded in giving this panel a unique look to the rear parts of the shadowed characters.  Stipling and linework added some really detailed facial work on panels 2 and 3 to the foreground characters.  Finally a gradation in the stipled background to focus on the action in panel helped highlight the original pencil work.  I was going to use a manga style “kinetic” background but went in a more traditional direction in the style of the woodcut/old time art of the rest of the story I have been going for since the cover artwork. 

Now the biggest issue of this page was Jessica in Panel #3- I struggled with this, and Nate Stemen and Joe Freistuhler tried to tell me it was off, and while I tried to fix it, I didnt get it, and my good friend Dani Kaulakis really called it out, so I had to do some surgery with Kristen at Jaru to do a new piece of art and then superimpose it over panel 3 to get it right – the original inked panel #3 Jessica was too far gone, but I think the new piece is killer and I’m glad I did th work to change it- thanks Dani and Kristen!!

Im including the original pencils- to the bad first ink on panel #3 and the whole repair process to the new page- enjoy the process!

 

 

 

 

 

 

 

 

 

 

 

 

 


30 Years Later… News from the Past

An amazing article from the Lancaster New Era from 1984 (ok 29 years later now!) where if you look closely- I am working on one of my little fiend folio monster pieces, while not an artwork post- relevant to this upcoming project- where I update and redo the monster/rpg art I made as a child- enjoy!

Check out my quote from the article…”If you want to do something, and it is impossible to do, you can just draw what you think.”   I agree with this quote today, and will try to keep it going! – Good Job 9 year old me!


Setsucon 2013 – Fan Commissions

Two fan commission pencil sketches from SETSUCON 2013 in State College, PA- an Anime Character, and Blade, from Marvel Comics


Painted Ladies of San Quentin; Page 3- Final Inks

Page 3 of 22 now is 100% inked- this page ended up being a nightmare of architectural proprtions, T&G shadowed ceilings, wood siding, over head shot of a terra cotta building burning, multiple facial emotion shots and three burning women… and yet – it turned out gorgeous (in my opinion) what do you think?


Zero Charisma- Grizelda Artwork used in Film- Screen Cap from Trailer

The Trailer finally came out for “ZERO CHARISMA” and my artwork did make it into the film!  Here is the screen cap from the trailer, my work is at the 1:02 minute mark behind actor Sam Eidson’s Character in his room, tacked on the wall- Grizelda goes Hollywood, just a little bit…  Enjoy this, I certainly did!

Trailer and fundraiser is at

http://www.indiegogo.com/zerocharismathemovie

Pages 3 and 12 that are in the screen capture…

 

 


Vandalettes of Vero Beach- Punk Roller Tee Shirts

Some of the Shirt Logos I did for the Vandalettes of Vero Beach– in 2011 in some of their new press photos in 2013- thanks Brandy and Kelly, the shirts looks outstanding!  The 2011 artwork is below the two photos…

Photo credit to AUSTIN RUSSELL PHOTOGRAPHY


Painted Ladies of San Quentin; Page 22- LAST PAGE- Pencils

Jessica Belmont is hanged until dead in a California Prison in the 1850’s, and we see the land that was fought over is now the present day 2013 SAN QUENTIN State Prison in California… – The End

I loved the top hangman’s noose panel with the Flag of the state behind Jessica hanging from the gibbet, and the last panel is stark and sums up what it was all about- land for a prison to be built on that is there 160+ years into the future.  Now onto the editing, and inking process with my writer Kevin Truglio who has stepped in to fill David’s shoes to make sure we hit all the script points so this works when you read it later in 2013.

 

 


Painted Ladies of San Quentin; Page 21- Pencils and Edited Top Panel

Elijah rides off into the proverbial sunset and Jessica in a few years is arrested and walking death row in the California 1850’s era prison system…

I wanted to give Elijah a stern look while on Chinaman’s horse, and show Jessica without her fancy hair, attitude and finery, cut down in prison stripes- this page is really about closure, and effectively shows us the elements- Elijah leaving in a cliche way, but a nice angle/POV, the hads shackled and her walking the row, with the priest giving last rites in the background while she looks up at the hangman’s noose (see next page)

UPDATE- I made an alteration on the top panel- see correction above the page- I fixed some perspective and anatomy issues with the horse and Elijah- much better- thanks Joe and Jeff!

 

 

 

 


Painted Ladies of San Quentin; Page 20- Pencils

The Sheriff is Dead, Jessica- broken and reduced to tears without her man to be with her… she stands under the mercy of a now victorious (By the grace of God?) over the villains that killed three women for a piece of land in Northern California…

Really wanted to show some action in the top panel, a broken Jessica- by her torn expression, pose and position UNDER Elijah’s fist, and the last panel is Elijah telling her he wont kill her, I love this panel, the horse is back (remember Chinaman’s horse?) we see the house again, and Jessica cradling Sheriff’s now dead body… I really worked on her face in panel two, and it is raw with emotion, tears, anger, pain, it just flowed for me.  Her arched shoulders were something I scored from my figure drawing class- thanks ladies of State College!


WP Like Button Plugin by Free WordPress Templates