Category: Pencil Work

Painted Ladies of San Quentin; Page 11- Pencils

The gig is almost up as the Injun rushes Elijah Holman- with a meat cleaver only a few feet from chopping our protagonist apart at the seams, and his 1850’s single action revolvers can’t lock on to this one man killing machine with time and bullets running out, and just as it is all coming to an end for our hero… The Injun loses his head and  left hand, and an unlikely ally appears, The Chinaman- Xi Chou Long.  Realizing that he’s been set up to die in a double cross, and his enemy was an honorable one, he decides to save Elijah’s life and team  up to fight for their lives.

Now, I did diverge from David’s script here, but as I have been doing the work on the pages, this made more sense than Chinaman just fighting Elijah with the Banditos.  Of course, that’s my .02 cents on the story at this point… The readers will tell us if it works when it’s all done! 

From an art point of view- I loved these three panels, lots of action, movement and emotion, and lets get down to it, a really cool decapitation!


Painted Ladies of San Quentin; Page 10- Pencils

The rest of the gang of killers from the back part of the wrap around cover of UGLI STUDIOS PRESENTS #2… I really loved some of the designs for the villains I created for the “The Painted Ladies of San Quentin” and it was awesome to bring these four men to life on the page- Especially the leader of the gang the one eyed “El Alacran” – the Scorpion in English.  I enjoyed his odd body language in this page and the different stances and weapons for his three (un-named as of yet) killers.  From a story point of view- we find out what gang “Injun” runs with- the Dangerous “El Alacran” and his rag tag band of pressional killers.  By doing the top panel from the Leader of the Bandit’s POV I’m telling the reader he is like a field general observing everthing and calling the shots to “Injun” and everyone else in his crew- this implies power, and symbolically he has a general’s shoulder epaulette, the backstory is he killed a high ranking Yankee officer and now wears his symbol of rank.  My internal story teller also made it so the “Injun” was so dangerous, so fearsome he really the 4 Mexican banditos let him operate alone and kept their distance, sort of like “Wez” from George Miller’s ROAD WARRIOR.  One of the lines I have for El Alacran is “We don’t kill Gringos for money, we do it for fun…”
 
Needless to say, the stakes are rising in this story by this point, and El Alacran wants EVERYONE dead- Elijah Holman and Xi Chou Long…
 
These four guys have grown on me, and you can see their original designs I did last August here
 
 

Painted Ladies of San Quentin; Page 9- Pencils

A World of Killers opens up on the wreckage of San Quentin’s former whorehouse!
 
Page 9’s pencils of “The Painted Ladies of San Quentin” gives us an intro birds eye view of our new antagonist “Injun” ( when I get a new writer, we’ll give him a proper name!- Missing you David!) who has stopped the imminent showdown and decides to take on everyone… for reasons unknown. Since Xi Chou Long seemed like such a hard ass, i wanted to throw in another melee lunatic- complete with meat cleaver and sickle…. I dont imagine “Injun” will have much dialogue, but I loved what I did on the wrap around cover for his character design last August, and wanted to do him justice in the story!
 
You can see “Injun’s” original design here

Painted Ladies of San Quentin; Page 8- Pencils

Elijah Holman puts a bullet in Xi Chou Long’s right elbow after the Chinaman missed a killing strike, however a handmade dagger is thrown at both of the putting a halt to their showdown outside the destroyed whorehouse of San Quentin, California!  It’s the rising tide of drama at UGLI Studios true believers as we keep up a steady march to get Ugli Studios Presents #2 in your hands!


30 Years Later….

30 Years ago, an 8 year old Jason Lenox in 1983 started making a “Dungeons and Dragons” Fiend Folio Book because his Mom and Dad wouldnt buy him one due to the objectionable content for a child.  In 2013 a much older (30 years) Jason Lenox is going to finish the job he started 30 years ago.  Here is a preview of some of this unseen in forever artwork I snagged out of my attic last December!


Painted Ladies of San Quentin; Page 7- Pencils

Elijah Holman goes at it up close with the Chinaman on page 7 of the “Painted Ladies of San Quentin”… Tried some alternate angles to really show the Chinaman getting up close with his sword and pole arm which would negate the advantage of Elijah’s handguns, until using a close up, we see Elijah (perhaps) getting the drop on his would-be assassin!

 


12/13/12 – Nude Figure Studies in Pencil with Model- At Art Alliance of Central PA

Nude portrait drawings with pencil on 9×12, 12×18 & 23×33 paper- studies range from 1 minute to 40 minutes. We had a very active model this week that really worked and did her last 40 minute pose (top piece) all standing, so that was really a challenge to keep that pose consistent for the class- thanks Dayna!  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


KNIGHT SABERS- SANJO!!! Bubblegum Crisis Pinup- Pencils

One of the greatest OVA’s of All time from the late 80’s early 90’s- BUBBLEGUM CRISIS! Quick synopsis… Fetish Armored Girls fighting Terminator like robots with cool weapons…  does it get better than that?  I really wanted to get some original poses and cool angles to make the kinetic action from the show come to life in 2d board- and this piece really hit it after a few aborted tries. I love Priss in this flipped spread eagle pose and the close up Boomer from Ep. 1 “Tinsel City Rhapsody” with the gatling gun being absorbed into it’s arm just hits that Boomer look of menace that we loved on VHS when I first discovered it in 1992- hoping to get this inked soon in time to sell at Setsucon! The character models for Priss and Boomer Androids (original design by Art God – Kenichi Sonada) are below my pencil work- I wanted to get the characters as accurate as possible, but use no poses from the show or any other BGC art that was out there so I got the model sheets and ran with it and tried to avoid the great art that is out there to maximize my original vision of this incredible animation that I still love to this day 20 years later.  Enjoy Anime fans- this is my first Anime based work- and as the Knight Sabers (the cute armored girls) say on the show- SANJO!!

 

 


Belle Fera- Model’s Pencil Drawing from Figure Modeling

Belle Fera-The Promotional Fetish Model I do comic shows with- had me do a pencil drawing of her so we can do her as a print to sell at shows.  This is a basic framework platform of her figure/body so we can dress her like a paper doll to match her convention outfits, or do special prints for clients who want some original artwork of her.

Check her out at Belle Fera Model on Facebook, hit her up for some modeling work at an event, or ask about some original art we can make up together for you of her in an outfit, or catch us at a live event to see what we have cooked up!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Belle and Jason in Monroeville, Dec 2012


Painted Ladies of San Quentin; Page 6- Pencils.. Full Page Splash- “Kill the Chinaman!”

So this is page 6 of “Painted Ladies of San Quentin”- and it’s on.  A full splash page that I give credit to Aaron Kuder of Marvel fame for telling me at NYCC 2012- “get the hands in the foreground, up close” and he showed me a cover he did from Avengers for me to think on- see attached photo.  Keeping this in mind, I did three elements- a horse, jumping “Chinaman” with weapons, and Elijah’s revolver shooting and missing in the foreground. All three are in motion in a triangular pattern on the page, with the ground on an angle.  I’m pleased with all three elements, and the motion and action (whoa Chinaman jumping off the horse!!) the hand close up brings it all to a sense of immediate action which makes the whole splash page work- thanks for the tip Aaron!

As an aside- I did this on a scrap of paper in my niece’s 3rd grade class on 11/26/12 in a child’s chair and desk in the back of her art class while I sat in while we were in Florida for Thanksgiving.  I had no references, and did it in 90 minutes, and as my UGLI Studios collaborator and friend Brian Allen said- “I love the expression on the horse.  He’s like F This!”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Aaron Kuder’s art at NYCC…

 

 


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